no lemons no melon

In a world where contemporary communication has become a continuous stream of accumulating signals, the excess of openings and compulsive activity foreshadows countering elements such as closure, rest, pause, ritual, and silence. Using the artifacts and tools of amplification, can we reconfigure amplified noise to get closer to a sound of silence? At the crossroads of dance and concert, Inga Huld Hákonardóttir and Yann Leguay reflect on the meanings of amplification. Responding to technological tools created to facilitate communication, they interrogate the compulsive pursuit of increasingly efficient connection. no lemons no melon echoes a thirst for silence and its elusiveness. Despite,